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The 2001 Pixar comedy follows two professional scary monsters, James P. Over twenty years later and the message of “Monsters, Inc.” still rings true: There’s more to life than scaring, and certainly more to a job than just work. It allows you to take everything that’s said with a grain of salt and see the bigger picture all these yapping know-it-alls lay bare the limit of our capacity for knowledge itself.
In that regard, it could have just been another version of Linklater’s debut, “Slacker.” But the animation gives a spiritual remove to everything that happens.
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A movie about ideas more than story, there really is little through-plot here Wiggins’ character is more just a concept to hang compelling dialogue scenes and untangle some intellectual knots. Here’s a movie that willfully plunges into the uncanny valley with abandon: Wiley Wiggins plays a protagonist wandering through waking and dreaming worlds (not knowing which is which) encountering people who should be a REM sleep-induced fever dream (abhorred real-life pundit Alex Jones among them) and those who just wander in like stray memories (Ethan Hawke and Julie Delpy’s Jesse and Celine from the “Before” movies). Though it’s brought to life largely via rotoscoping, “Waking Life” finds in animation a way of defamiliarizing the ordinary. Richard Linklater’s first animated feature is an evolution of his style: lengthy dialogue scenes, characters meandering through life, profound philosophical musings tossed off with the effortlessness of bar chatter - but pushed beyond what’s possible with live-action staging. Kate Erbland, David Ehrlich, Christian Blauvelt, Steve Greene, Eric Kohn, Jude Dry, Chris O’Falt, Anne Thompson, Zack Sharf, Noel Murray, Jenna Marotta, and Michael Nordine also contributed to this list. Not every worthy movie could make the cut on either the awards circuit or this list, sadly, but rest assured that “The Breadwinner” and “Loving Vincent,” to name just a few, are very honorable mentions. As few as three movies were nominated per year until 2010, but since then animation’s increased prominence has been reflected in the race’s competitiveness. The genre has grown so much since we entered the current century, in fact, that it can be easy to forget the Academy Awards didn’t even recognize animation until 2001. Animated films have grown ever more artful and affecting as more and more folks realize that, the Oscars comments notwithstanding, it’s never just been a medium for kids, with studios and indies alike creating stop-motion marvels, hand-drawn standouts, and CGI spectacles. Pixar and Studio Ghibli tend to spring to mind first when discussing great animation, but there’s a world beyond those two giants. What better way to defend the art form than to round up the best animated movies of the 21st century? These movies speak for themselves, and show how vital animation is right now. Following a presentation at the Oscars this year that, in the words of animation wizards Phil Lord and Chris Miller, framed “the five Academy Award nominees for Best Animated Feature as a corporate product for kids that parents must begrudgingly endure,” the directing duo called upon the Academy to do better by animation. IndieWire couldn’t agree more, and yet animation, an art form that requires the most precise control of the cinematic medium, is continually disrespected. “One more time: Animation is a medium, not a genre - Animation is film,” Guillermo del Toro said earlier this year. Products featured are independently selected by our editorial team and we may earn a commission from purchases made from our links.